| Scenic Charge | | Production Designer | | Production Company | | Year |
| Love, Weddings, and Other Disasters | | Michael C Stone | | LWOD Productions | | 2019 |
| I Care A Lot | | Michael C Stone | | Berkshire Oaks, Inc. | | 2019 |
| The Last O.G. S2 | | Alan Lampert | | Turner North Center Productions | | 2018 |
| Tumbledown | | Jane Ann Stewart | | Bron Studios | | 2014 |
| Camera Scenic/ On Set Scenic | | Charge or Production Designer | | Production Company | | Year |
| Inside Amy Schumer S5 | | Bill Gibbons | | Whens Lunch LLC | | 2022 |
| Untitled Julio Torres Project | | Bill Gibbons | | A24 | | 2021 |
| Defending Jacob (Secondary On Set) | | David Rickson | | Apple Tv | | 2019 |
| Tesla | | Karl Sprauge | | Nikola Production | | 2019 |
| FBI S1 (Tandem Units) | | Bill Gibbons | | Universal Television, LLC | | 2018-2019 |
| Enemy Within (Secondary On Set) | | Emily Gaunt | | Universal Television | | 2018 |
| Proud Mary | | Karl Sprauge | | Screen Gems | | 2017 |
| Scenic Artist | | Charge Artist | | Production Company | | Year |
| Full Circle | | Sam Pagnotta & Emily Gaunt | | HBO Max | | 2022 |
| American Horror Story S11 | | Yuko Nakao & Emily Gaunt | | 20th Century Fox Television | | 2022 |
| Harlem S2 | | Emily Gaunt | | 3 Arts Entertainment | | 2022 |
| Wu Tang: An American Saga | | Lyvan Munlyn | | Disney Studios | | 2020-2021 |
| Modern Love | | Lyvan Munlyn | | Amazon Studios | | 2020 |
| On The Rocks | | Emily Gaunt | | A24 | | 2019 |
| FBI S2 | | Bill Gibbons | | Universal Television | | 2018-2019 |
| Enemy Within | | Emily Gaunt | | Universal Television | | 2018 |
| Tell Me A Story | | Emily Gaunt & Sam Pagnotta | | CBS Studios | | 2018 |
| Strangers S2 | | Bill Gibbons | | Facebook Watch | | 2018 |
| Late Night | | Laura Lerner | | 30West | | 2018 |
| Good Fight | | Emily Gaunt | | CBS Studios | | 2017-2018 |
| Ghost Light | | Laura McPherson | | H9 Films | | 2017 |
| Castle Rock | | Dan Courchaine | | Hulu | | 2017 |
| Luke Cage S2 | | Patricia Walker | | Netflix | | 2017 |
| Proud Mary | | Carrie Capizzano | | Screen Gems | | 2017 |
| Daddy’s Home 2 | | Joe Barillaro | | Paramount Pictures | | 2017 |
| The Defenders | | Patricia Walker | | Netflix | | 2017 |
| Kevin Can Wait | | Sam Kopels | | San Vincente Production | | 2016 |
| Ghostbusters | | Rick Riggs | | Columbia Pictures | | 2015 |
| Joy | | Dan Courchaine | | Twentieth Century Fox | | 2015 |
| Theatre Charge Artist | | Set Designer | | Theatre Company | | Year |
| Hedda Gabler | | Emily McCourt | | Longwood Players | | 2013 |
| Damn Yankees | | Erik D. Diaz | | TriArts Sharon Playhouse | | 2013 |
| Doubt: A Parable | | Erik D. Diaz | | TriArts Sharon Playhouse | | 2013 |
| Monty Python’s SPAMALOT | | Erik D. Diaz | | TriArts Sharon Playhouse | | 2013 |
| Over Hire | | Supervisor | | Company/ Theater | | Year |
| MY FAIR LADY (at Lincoln Center) | | Pat Bases | | Hudson Scenic Studios | | 2018 |
| HAMILTON (Puerto Rico Special Set) | | Pat Bases | | Hudson Scenic Studios | | 2018 |
| NOISES OFF (Broadway Set) | | Pat Bases | | Hudson Scenic Studios | | 2017 |
| SOMETHING ROTTEN! (Tour Set) | | Pat Bases | | Hudson Scenic Studios | | 2017 |
To request a copy of my complete and up-to-date Resume with references, please contact me.
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